Only a deeply inspired professional can build a bridge between the artwork and the recipient. But he must not cross the bridge in either direction. From the ground of the work, the raisonneur can quickly become an affectation and a conceited initiate, from which he can amplify the suggestion emanating from the image, but also amplify the confusion.

On the other hand, if he is too empathetic to the ignorant prejudices of the recipient, he can easily become impulsive, neglectful and detached, until he finds himself trampling on the values of a culture that has been around for thousands of years.